ausstellungsprojekt
zwischenkultur und
zwischenraum
PROGRAMM
12.09._17:00 softly open
13.09._09:00 von Pflanzen und Menschen
Workshop für Jugendliche mit Manuela Picallo Gil
14.09._ 19:00 Performance
mit: Negin Rezaie, Zarko Aleksic, Lorena Tabares Salamanca,
Marlene Wagner, Malashree Suvedi,
Amina Ben Hassen, Malik Nuganga
_20:00 Choir & Cooking
Hor 29 Novembar & Eine praktische Einführung zur Esskultur im Gefängnis in cooperation mit WIENWOCHE
15.09._18:00 closing
Austellung laufend & frei zugänglich von 12.-15.09.
Portraits of Home I 2019 I c-print
Ceyiz Makal Fairclough is both an academic and a lens-based artist. She has lived and worked in Turkey, UK, Yemen and Poland. Shegraduated from Istanbul Technical University with an MA in Art History and went on to do a Master’s Degree in Communication Design from Manchester Metropolitan University and a PhD in Media Arts (by practice) from the University of Salford. Her research involved working closely with migrants from Turkey in UK and through the medium of photography, she explored the relationship between social science methodologies and artistic vision and creativity. She is currently a lecturer in photography and visual studies at Beykoz University in Istanbul. Alongside her academic career she is a practising photographer with a particular interest in issues related to ecology, migration and identity.
Manuela Picallo Gil (1985) arbeitet transmedial und drückt sich in verschiedenen Medien wie Zeichnungen, Installationen mit Sound und partizipatorischen Aktionen aus.
Das Sammeln mündlich überlieferter Geschichten durch Oral History, mit einem besonderen Fokus auf das sensible, individuelle und kollektive Gedächtnis, nimmt einen zentralen Stellenwert in ihrer Arbeit der letzten Jahren ein.
gibt am 13.09. um 09:00 das Workshop für Jugendliche "von Pflanzen und Menschen"
somos semillas I 2024
this takes space I 2024 I in cooparation with Riin Maide & Matteo Lacoste
Negin Rezaie is a multidisciplinary artist, educator, curator, and researcher specializing in visual and performance arts from South Iran. Since 2018, she has been one of the curators for the permanent exhibition "The Shores of Austria" at the Volkskundemuseum in Vienna, contributing to the documentation of immigration history. Negin has led various art projects, including the 2022 art-science collaboration "Symbiopoeisis" for Wienwoche and the 2024 "SymbioMemory" performance and exhibition for the Klima Biennale at FLUCC Vienna. Protest archive in hinterland gallery, Rotor gallery Graz and FLUCC Vienna. Her work explores themes of identity, unity, resistance, and archiving the unarchivable, often drawing inspiration from Iranian poetry . she is involved in the "Autosociobiography" artistic research program at the Filmakademie since 2020, focusing on social-political shame. Alongside Marissa Lobo, she co-curated the "Soft Club: Politics of Hospitality and Hosting, Joy and Celebration," running since June 2024 at the Volkskundemuseum. In her latest work, "Liberty Leading the People," Negin reenacted Delacroix's painting, making a statement on unity and empowerment. In June 2024, she led a collective performance at MQ: this takes Space! creating a massive signal orange installation. The installation reflects the idea that, although a global crisis is unfolding and encroaching on spaces,resistance is rising from the Grassroots, it emphasise that Victory is a collective matter and we continue taking spaces. neginrezaie@gmx.at
For further information, visit www.neginrezaie.at.
2024 an der Perfomance am 14.09. um 19:00 beteiligt.
western wonderland I 2017
mixed media on paper
Die Werke von Bengisu Bayrak werden durch Malerei, fotografische Darstellungen und Installationen visualisiert und beinhalten kleine Geschichten innerhalb der gemeinsamen Wahrnehmung großer Erzählungen, die die Vielfalt der Existenzmittel ignorieren. Sie untersucht die Glaubwürdigkeit der vorhandenen Darstellungen, die in die offiziellen Erzählungen eingebettet sind, und findet ihre Themen in Ephemera und „unwichtigen“ Dokumenten sowie in Mainstream-Darstellungen der Massenmedien.
Bengisu Bayrak works are visualized through paintings, photographic representations, and installations, and are involved with little stories within the common perceptions of grand narratives that ignore the variety of means of existence. She investigates the credibility of the existing representations embedded in the official narratives and finds her subjects in ephemera and “unimportant” documents, as well mainstream representations in mass media.
Marlene Wagner practices, researches and teaches on social architectures, formal and non-formal spatial practices, critical spatial production, transformative process, methods, mediation and participation of designing and building between local and global scale. www.marlenewagner.online
ist auch an der Perfomance am 14.09.2024, 19:00 beteiligt.
Žarko Aleksić wurde am Allerseelen-Tag 1985 im heutigen Serbien in Knjaževac geboren. Seine postdisziplinäre künstlerische Praxis basiert auf der Untersuchung von Bewusstsein, mentaler Verarbeitung und KI in Bezug auf gesellschaftspolitische Fragen des kognitiven Kapitalismus.
ist auch an der Perfomance am 14.09.2024, 19:00 beteiligt.
Žarko Aleksić was born in Knjaževac on the All Souls' Day 1985 in today's Serbia. His postdisciplinary artistic practice is based on examination of consciousness, mental processing and AI, in relation to socio-political issues of cognitive capitalism.
Economy of Gaze - Distribution of Attention
(Performative Image 4) I 2019
Collage
Amina Ben Hassen
ist 2024 an der Perfomance am 14.09. um 19:00 beteiligt.
Carla Schwaderer
For Carla Schwaderer, dance is a way of telling stories, expressing emotions and bringing people together. By sharing body movement, a creative exchange can take place that has an inspiring and stimulating effect.
ist auch an der Perfomance am 14.09.2024, 19:00 beteiligt.
Lorena Tabares Salamanca
(Cali, Colombia) is a researcher, writer, and independent curator focusing on contemporary art, archives, and performance. Her work builds participatory processes around political ecologies, the body, and its interaction with the land. In 2023, she earned a Master's in Communication and Arts Sciences from Universidade Nova de Lisboa. She curated the Wellenschlagen exhibition at the Mexican Cultural Institute in Vienna and co-edited issue 15 of Terremoto magazine, titled “Cuerpo Pólvora.” She researched and coordinated “Round Tables Dialogue: Performance in Review 1990-2019.” Currently, she is conceptualizing the archive for the WIENWOCHE Festival of Arts and Activism in Vienna. She co-founded the cultural association Colapso (PT) and is a member of SlumilCinko (PT) and La Organización (MX).
ist 2024 an der Perfomance am 14.09. um 19:00 beteiligt.
Malashree Suvedi
is a Nepali artist based in Kathmandu and Vienna. Her mediums are textile, painting, writing, and an overall convergence of a research based practice. Her work is performative too; made-up characters and artists become a part of the praxis, become a part of the artist, and become collaborators in the given work. Suvedi's work reflects her feminist principles. "Female* identity is something that lingers on my mind. I write and read for the women in my life who couldn't." Suvedi is currently working on a novel.
ist auch an der Perfomance am 14.09.2024, 19:00 beteiligt.
Bedia Ekiz künstlerischer Praxis bemüht sich, eine selbstreflexive Geschichte zu schreiben, die von neuen Formen beeinflusst wird. Die Natur schreibt eine ganz neue Geschichte unter dem Einfluss des Menschen. Ob diese Geschichte ein gutes oder ein schlechtes Ende haben wird, ist nicht das Problem. Entscheidend ist die Zeit, die wir auf dem Weg dorthin verbringen. Je mehr sich das Leben von der Natur entfernt, desto mehr formt sich die Erde neu und von unten.
Ihre größte Inspiration ist es, sich die Teile ihres Lang- und Kurzzeitgedächtnisses im gegenwärtigen Moment vorzustellen und ihnen Form zu geben. Ausgehend von ihrer persönlichen Realität vermittelt ihre künstlerische Praxis einen neugierigen Prozess.
Nature writes a whole new story under the influence of humans. Whether this story will have a good or a bad ending is not the issue, what matters is the time we spend on the way there. The more life moves away from nature, the earth re-forms itself anew and from below. In her artistic practice, she am striving to write a self-reflective story that is influenced by these new forms. Her greatest inspiration is to imagine the bits and pieces of her long and short-term memory within the present moment and form them. Departing from her personal reality, her artistic practice conveys an inquisitive process.
in the Garden Studio I 2024